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I’ve noted analogies with tracing and typography in my search for models when using speech melody transcriptions as the basis for pieces of music. Another aspect, which touches on tracing as an approach, is the use of projections – in the case of drawings either using a camera obscura or the more portable camera lucida. Hockney’s thesis is that these devices enabled artists to make drawings that would be difficult to “eyeball”. One might argue that Janáček’s speech melody notations were “earballed” and that it is only with current technology that we finally have the means at hand for accurately depicting speech.

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