The ARP Odyssey marks is an interesting point in the development of sythesizers with some of the flexibility of the modular systems it grew out of and the fixity of a portable performance instrument that became the norm. I’ve been thinking about the development of synthesizers over the years – the gradual change from modular systems that lent themselves to ever-evolving textures to banks of presets and large libraries of relatively short sounds. The Art + Music + Technology episode with E-Mu’s Dave Rossum provides a good example of this arc – and the spiral back to the beginning that we’ve now reached.
Benge’s 20 Systems presents 20 pieces of music created with 20 different synthesizers, one from each year between 1968 and 1988. Starting with the Moog Modular 1968, moving through ARP, Serge, Roland, Oberheim, and Yamaha in the 70s, and ending with the Fairlight and Synclavier, amongst others, in the 80s. I was thrilled to receive the CD as a gift when it first came out nearly a decade ago, feeling that it nicely mirrored the first 20 years of my own life. It too provides a good trace – a journey in sound of the arc from evolving textures to precise presets.1
Modular Diary – 016: The ARP Odyssey marks is an interesting point in the development of sythesizers with some of… rdgr.me/u/1an9q2x