Modular Diary – 003

I wasn’t in a position to get hold of an O-Coast though, and as much as Robert Syrett’s Audulus ‘O-Toast’ provided a fascinating look into how the MakeNoise synth was put together I found it frustrating to play with – at least when attempting to recreate O-Coast patches from the MakeNoise manual or their series of video tutorials. (One can get a lot out of the O-Toast, but it is perhaps better approached as a thing on it’s own.) Fortunately around that time Bram Bos’s Ripplemaker appeared and I turned to it as a software version to play with.

The Ripplemaker is well made, clearly layed out, and easy to patch. The inclusion of a sequencer along with having all controls comfortably visible on a single screen makes it a lot of fun to play with. (It also integrates nicely as an Audio Unit within an apps such as Jonatan Liljedahl’s AUM.) One can also adjust more than one control at a time, which is an advantage over Audulus’s lack of multitouch control on iOS, and having the workings of the softsynth thoroughly taken care of means that one can get on with exploring its sounds.

Modular Diary – 003: I wasn't in a position to get hold of an O-Coast though, and as much as @RobertSyrett's Audulu…

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<a rel="me" class="p-name u-url" href="">Rudiger Meyer</a> is a composer interested in the play between traditional concert music and new media.

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