Ever since the FNUG・SPY photograph and my subsequent ASCII experiments, I’ve suddenly been noticing those bird heads all over town. They distinguish themselves from most sprayed graffiti not only by their painted style, but also their placement, which is often close to the top of the space they’re painted on, or at least quite high up. They’re quite literally raised above the rest.
The more I’ve been noticing them, the more I’ve begun to wonder about the artist. A little searching on the web turned up this Politiken article from 2010. At the time he’d been at it for six years, and that was six years ago, almost to the day.
100 Days of Something: 83 “SPYO” #The100DayProject rdgr.me/u/6og36b